Tag Archives: art

Nature and Art Discovery Program for Young Children and their Families on Tuesday and Sunday

We are excited to announce the return of our Nature and Art Discovery program offered to young children and their parents.  We will have a week day program that if offered on Tuesday from 10-11am and a weekend program that is offered on Sunday from 10-11am. 

Our Nature and Art Discovery program is the place to be if you love having fun, exploring and discovering nature, listening to engaging stories, and creating art.

We offer two separate programs, one that runs on Tuesday and one that runs on Sunday.
The Nature and Art Discovery program is a drop-in program for ages 2.5 to 5.5 with an adult (siblings welcome) from 10-11am. Each week is a different nature theme and will include a story, playing and hiking in nature (weather dependent), and creating art. When the weather is nice we will spend time outside and there will be plenty of time for free play in our nature play area at the end of the program. We also have picnic tables, benches, and other great spots to have a snack, play, and chat. This will be a weekly program.
The Sunday program begins on and Sunday September 10 and ends of Sunday December 10.
The Tuesday program begins on Tuesday September 12  and ends on Tuesday December 12. No program on Tuesday September 26.

Subscription for the entire series (13 programs) is $60 for members ($75 for non-members), a savings of $64 ($124 is the cost of all 13 weeks at $8 per week).

The following is a list of the different art mediums we will use for the first six weeks of the program:

–      September 12: Pottery

–      September 19: Painting

–      October 3: Making puppets

–      October 10: Pottery

–      October 17: Painting

–      October 24: Making hats and masks

 

Highlights from Week 5 of the Wild at Art Camp: Butterfly Safari, Caterpillar Lab, and Nature CSI

It has been such a wonderful summer so far and I am so grateful for all the families that have sent their children to the Wild at Art camp this summer. We have been having a wonderful week at the end of July. On Monday, we talked about going on journey this week looking for spectacular “things.” Here are a few highlights from the week with all our spectacular findings.

Highlight #1: A visit from the amazing Caterpillar Lab!

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Highlight #2: Making spectacular wildlife discoveries with friends

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Highlight #3: Exploring in the brook for aquatic critters

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Highlight #4: Creating art and making friends

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Highlight #5: Exploring in the meadow

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Animal Acrobatics and Shapeshifting Flyers: Top Moments from Week 1

Our first week of summer camp has been off to a fantastic start, with lots of art, nature, science, and fun built in. Check back in during the week as this post will be updated each day or two.

Here are some of the top moments from camp this week!

Moment #1

Going on a dragonfly hunt!

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All the campers from the Animal Acrobatics and Art groups were thrilled to learn about and hunt for dragonflies in our meadow. One highlight for everybody was getting to hold onto a dragonfly and feel it’s Velcro like feet (tarsi).

Top Moment #2
Learning about and building nests

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Top Moment #3
Pin the stinger on the bee

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Top Moment #4
Exploring movement with charcoal

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Top Moment #5
Having fun with our amazing staff

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Top Moment #6
Printmaking with linoleum tiles

On Thursday, we were very excited to learn how to sketch out a print onto linoleum tile and learn how to safely use linocutting tools. The prints came out exquisite and everybody loved what they made. The detail and care taken into each art project was remarkable and inspiring.

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Home and Away

We are thrilled to have a guest post by the amazingly talented artist Sherrie York. She will be visiting the Museum of American Bird Art at Mass Audubon between July 28 to July 30 to display her art, lead several programs, and give an illustrated talk about her printmaking. She will be doing a workshop with our summer camp on July 28th, giving an illustrated talk and reception for her artwork on July 29th, and giving an all day printmaking workshop on July 30th.

Home and Away by Sherrie York

Travel and art-making have often gone hand-in-hand. (Or perhaps that’s brush-in-hand.) John Singer Sargent’s watercolors of Morocco revealed an intriguing faraway culture. John James Audubon’s journeys recorded North America’s flora and fauna and Albert Bierstadt’s romantic western landscapes helped inspire the first national parks.

I enjoy travel, too, and will be traveling from my Colorado stomping grounds to MABA this summer. In July I will exhibit some of my linoleum block prints in the estate house and present both a printmaking workshop and presentation about my work. Of course it doesn’t always take a passport, a suitcase, or a new frontier to find subject matter. Familiar places close to home are inspiring, too.

landscape

This is Sands Lake. It’s a scruffy little body of water next to the Arkansas River in the town of Salida, where I live. They call it a lake, but it’s really a settling pond for the fish hatchery upstream. Water flows from hatchery to lake via underground culverts, then spills out the far bank in to the river.

During the day the trail around the lake is filled with fishing enthusiasts, dog-walkers, joggers, bicyclists, and birders. More than one elicit teenager party has taken place there after dark. Pristine, exotic wilderness it’s not.

But for me this humble corner provides a wealth of inspiration and stories year-round, and no small number of linocuts, too.

PasdeDucks-©SherrieYork

Pas de Ducks: All year

At the upriver end of the lake, next to the inflow culvert, is a concrete fishing pier. The remains of cliff swallow nests were still attached when it was installed, a good indicator of its provenance as repurposed bridge. Hopeful mallards congregate below the pier looking for handouts, and from my elevated vantage point I enjoy watching the tracery they create in the reflection of the railing.

 Cruisin-©SherrieYork

Cruisin’: Spring

Forget the robin as a harbinger of spring! Local birders know that spring migrants begin to appear weeks before the pelicans turn up at the lake, but their sheer size and brilliant whiteness assure that even the most bird-ambivalent will notice this sign of winter’s demise.

EPSON scanner image

EPSON scanner image

Usurper: Summer

Three species of bluebird are present in the area around the lake, but the mountain bluebird’s cobalt shimmer and soft call is the most common. Bluebird enthusiasts abound, too, as evidenced by nest boxes peppering the edges of yards, pastures, and the municipal golf course. Of course tree swallows don’t know they aren’t the intended occupants…

CootduJour-©SherrieYork

Coot du Jour: Autumn through Spring

Like mushrooms after rain, American coots sprout on the surface of the lake in early autumn. The antics of 70 or 80 over-wintering birds amuse me until spring, but before the trees have finished leafing out they are gone. I never see them arrive, and I never see them leave.

NoTimeLikethePresent-©SherrieYork

No Time Like the Present: Winter

Winter is the time for waterfowl on Sands Lake. Because so much water moves through from the hatchery the lake remains open even in the coldest days of winter. Common and Barrow’s goldeneye, buffleheads, scaup, wigeon, and more fill the lake with noise and motion and offer consolation for the absence of warblers and swallows.

 

 

Positive Thoughts on Negative Shapes

Lake Wampanoag, Gardner

The third sanctuary I visited for this project, back on May 4, 2015, was Lake Wampanoag in Gardner.  (see A Taste of the North, May 4, 2015).  That day, I found some striking pileated woodpecker excavations in a red spruce tree.  I found the holes in the usual way – woods chips scattered across the trail caused me to stop and look up.  The holes were very fresh.   The heartwood glowed a bright orangey-tan, outlined by the rich burnt sienna of the inner bark.

Spruce w Pileated WP Holes, Lake Wampanoag - at 72 dpi

sketchbook page, 9″ x 12″

I made this pencil drawing at the time, and took some color notes.  As usual in cases like this, I never saw the bird.  However, pileated woodpeckers are common around my home in Princeton and I’ve had many opportunities to observe and sketch them in the past.

Weeks passed, then months.  But the spruce trunk and those woodpecker holes stuck in my mind, and I finally got around to developing them into something more…

Pileated in Progress - at 72 dpi

the work in progress…

In the studio, I worked up some sketches of a male pileated to “fit” with the spruce trunk, taking care to adjust the viewpoint, scale, pose and balance.  Working at a large size is much easier in the studio than in the field, so I scaled things up here.  At 22.5″ x 14″, this is the largest watercolor I’ve done for the residency so far.  The composition I developed is as much a portrait of the holes as it is of the bird, and I liked this idea of a dual center of interest, with both carrying equal weight.  After all, you couldn’t have one without the other!

Pileated Crest retouched - step 1 - at 72 dpi

When I want a red note in a watercolor to really POP, I almost always start with an under layer of pure lemon yellow.   I allow this to dry completely, and then glaze over it with a strong wash of cadmium red.

Pileated Crest - step 2 - at 72 dpi

The yellow under layer gives the red a glowing quality that it would not possess by itself.

I originally intended to add a full background to this painting – or at least a background tone.  But as the work progressed, I realized that I didn’t need a background of any kind, and that the bird and tree trunk alone made a stronger statement.  The spruce tree here acts as a surrogate for the environment – representing those unusual, cool spruce woods at Wampanoag.

Pileated Woodpecker and Red Spruce, dropout - at 72 dpi

Pileated Woodpecker and Red Spruce, watercolor on Winsor & Newton cold-press, 22.5″ x 14″

Another reason I decided to leave out the background was because the negative shapes (i.e. the white shapes between and around the objects) worked nicely to strengthen the composition and reinforce the main subjects.

This is not always the case.  Take a look at this watercolor done last spring at High Ledges in Shelburne (see On the Waterthrush Trail, May 21, 2015).

Canada Warbler in Witch-hazel, High Ledges - at 72 dpi

I always felt there was a problem with this painting – the negative shapes overwhelmed the subject and made the image visually confusing.   The negative shapes were definitely working against me, here.   Just recently I added a full background, with more witch-hazel leaves and stems, and a background tone.

Canada Warbler in Witch-hazel, REVISED, High Ledges - at 72 dpi

I like the painting much better now.  The bird takes center stage, as it should, and that glowing yellow throat and belly have a lot more impact!  I hope you like it better too, since there’s no going back!

Inquiry, Intentional Curiosity, Discovery, and Art!

Homeschool classes at MABA

In an environment rich with nature, science, and art, our homeschool classes are full of excitement, laughter, focused awareness, and curiosity. This blog post highlights some of the activities and programs we have done over the past few months at MABA. To learn or sign up for our spring courses, click here.

Animal Behavior Homeschool Class: Monarch Butterfly Natural History and Flight
The Biomechanics of Gliding

In one of our Animal Behavior sessions, we focused on the Monarch Butterfly migration to learn about animal migration and the biomechanics of flight.

Monarch butterflies via ASU.edu

Students created model monarch butterflies and conducted a test flight experiment in our museum.IMG_5032

To learn more about the incredible monarch butterfly migration, check out this fantastic BBC documentary

Monarch Butterfly amazing migration – BBC Life HD

Want to do more at home? Journey North is a great resource and citizen science project that tracks the migration of Monarch Butterflies and lets you contribute data that improves our understanding and conservation of these fantastic butterflies. We have tracked Monarch egg laying on the wildlife sanctuary and submitted data to journey north. Here is a publication that has used citizen science data from journey north to help us better understand migration and monarch population dynamics.

Learning about bird behavior and biology by making clay birds

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Learning about animal behavior and ethology by studying betta fish behavior & responding with art

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Field Biology, Pollinator Ecology, and Art Homeschool Class:
Exploring watercolor techniques and color theory

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To reinforce what we have learned about the biology and ecology of native bees and butterflies, each student cut out bee and butterfly silhouettes. They used these silhouettes to learned color theory and watercolor techniques, including wet on wet and wet on dry, by creating bold, fun, and colorful pollinators that they took home.

We have also learned about nesting habitats of native bees and created mason bee houses.

masonbeehouse

Studied the phenology of spring flowering plants through focused awareness and intentional curiosity

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Creating pollinators out of paper marbled with dye using the art of suminigashi

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Digital Photography Homeschool Class
Looking closely and creating nature’s treasure maps

In our digital photography class, students built a digital camera, learned about the technology in the camera, and the art of photography. We focused on composition, such as the rule of thirds, looking for geometry in nature, and taught students to be keen observers of the natural world by looking closely. We explored our expansive wildlife sanctuary and created nature treasure maps, thanks to the incredible naturalist and artist Jack (John Muir) Laws for this idea, both with sketchbooks and through photography.

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Taking opportunities when they arise: A coopers hawk had a mallard for lunch

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Exploring the technology behind the camera lens

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Exploring the end of winter and start of spring behind the camera lens

DigitalPhotography

Solitary Ruminations

This is from a series of posts by MABA resident artist Barry Van Dusen

December 1, 2015

Solitary Sandpiper sketchbook studies - at 72 dpi

solitary sandpiper field sketches, pencil, 9″ x 12″

After every sanctuary visit, my head is filled with images and impressions, especially in the first few days afterwards. But as time passes, certain impressions are more persistent than others, and linger for days, even weeks. The solitary sandpipers foraging on the grassy mudbars at Skunknett River (see “A Skunky Place for Eels”, Skunknett River Wildlife Sanctuary, Oct 11, 2015) is a case in point. Something about the way the soft round volumes of the birds related to the gentle greens of the grass kept nagging at me, and I knew I needed to explore the impression in paint. (The winter months are a good time for developing these lingering impressions in the studio.)

I keep what I call “studio sketchbooks” on hand for exploring these types of ideas. The drawings in these books are NOT field drawings. They are, instead, explorations of picture ideas. Getting something down on paper focuses my thoughts and intentions.

Solitary Sandpipers picture idea - at 72 dpi

concept sketch of solitary sandpipers, pencil, 9″ x 12″

Using the sketches made at Skunknett, I first tried a scene with two birds, one passive and one active. Somehow, it didn’t match the vision in my mind. Examining some rather poor photos taken through my scope at Skunknett, I realized that what most interested me was the way the soft, round volume of the bird seemed to merge with the grasses, and all the tonal transitions were subtle and soft.

Solitary Sandpiper in the Grass 2 - at 72 dpi

photo taken through scope at Skunknett River Wildlife Sanctuary

Making another pencil sketch with just one bird, I adjusted the tones to get the softer feeling I was after. Now, I seemed to be getting closer to my original impression.

Solitary Sandpipers picture idea 2A - at 72 dpi

Concept sketch of solitary sandpiper, pencil, 7″ x 9″

I started my watercolor with two simple washes on a wet sheet- establishing the tone of the bird’s belly shadow and the green grass, and letting them merge slightly on the wet paper. These two washes established the tone and mood, and all subsequent washes were keyed to them.

Solitary Sandpiper in the Grass - at 72 dpi

Solitary Sandpiper at Skunknett River, watercolor on Arches rough, 9″ x 12.25″

 

 

 

 

Learn, Create, and Express Yourself at our Digital Photography Homeschool Program

Build your own digital camera!

IMG_2601On February 3rd, we will kick off our winter STEAM Ahead Photography homeschool course, only a few spots remain so sign up today. This program focuses on fostering curiosity, creativity, innovative thinking, and problem solving and is designed and taught by Sean Kent, a dedicated science educator, field biologist, and accomplished amateur photographer. Students will build a digital camera and learn about the science behind the camera lens, while exploring the art of photography. As an art museum and a 121 acre wildlife sanctuary, students will have the unique opportunity to learn about the science, art, and technology of photography, while also being immersed in project based learning focused on our environment. To learn more about homeschool courses offered at Mass Audubon’s Museum of American Bird Art, check out a blog post about our Fall 2015 courses.

DSC_6589

Photography students exploring the brook and completing a photography scavenger hunt. Photo credit: Sean Kent

During the photography course, students will

  • Learn about the science, engineering and technology behind the camera lens, including power generation, how an image is created by a lens, and how the microcontroller in a digital camera works
  • Learn about the anatomy and physiology of the human eye
  • Explore the artistic tools used to compose a photograph, including the rule of thirds and leading lines

“The homeschool classes at the Museum of American Bird Art are the most thoughtfully designed programs my children have ever attended.” – PARENT

For members, the course fee is 160$ with a 100$ materials fee for the cost of the digital camera that a students build.

DSC_6585

Learn more about the course instructor

Sean Kent, the education coordinator for the Museum of American Bird Art at Mass Audubon, designed and will teach the digital photography course. Sean is a skilled educator with broad experience working with elementary through college-age students in art studio, classroom, and outdoor settings. He has a master’s degree in biology, and his research on native plants and pollinators has taken him from the Boston Harbor Islands to Belize. He is an art enthusiast, birder, and accomplished amateur photographer.

 

Check out our other Winter Homeschool Classes

Monday:

  1. Animal Ecology, Behavior, and Art (Two classes: Ages 7 to 9, and Ages 10 to 15)
  2. Where in the World: Wildlife, Geography, and Art! (One class: Ages 7 to 9)
  3. Pollinator Ecology, Inquiry, and Art (One class: Age 10 to 15)

Tuesday

  1. Painting Immersion – Famous Nature Artists and You (Two Classes: Ages 7 to 9, and Ages 10 to 15)

Wednesday

  1. STEAM Ahead Photography Homeschool Program

Chipmunk Season

This is from a series of posts by MABA resident artist Barry Van Dusen

Lincoln Woods Wildlife Sanctuary, Leominster on October 6, 2015

Wherever I happened to be along the trails at Lincoln Woods Wildlife Sanctuary today, I was never out of earshot of the persistent “chuck-chuck-chuck” of Eastern Chipmunks. At no other time of the year are these attractive little rodents more vocal. I’ve been told that the “chuck” call is given by males defending a territory, so I tracked one down (by ear) and put a scope on the animal. It occupied an inconspicuous perch on the forest floor and delivered it’s “chucks” at regular intervals, otherwise remaining quite still – a good model for drawing!

Chipmunk, Lincoln Woods - at 72 dpi

Eastern Chipmunk, watercolor on Arches cold-press , 8″ x 12″

My dad often used an expression to describe us kids when we got up early in the morning – “BRIGHT-EYED AND BUSHY-TAILED”. It’s a pretty good description of this little guy!

The woods around the parking area in this urban neighborhood are a nearly unbroken stand of Norway maples. The ability of this tree to grow quickly and seed-in heavily allows it to out-compete native trees and form dense monocultures.  As I head deeper into the woods, however, the Norway maples thin out and give way to native species. Heading out along the western side of the Elizabeth Lincoln Loop Trail, I pass through a stand of majestic white pines before the trail joins with Vernal Pool Loop.

Vernal Pool at Lincoln Woods - DRY (small)

A series of vernal pools can be seen on either side of this elevated trail, which runs along a glacial esker ridge. Most of the vernal pools are bone dry at this time of year, but two of the largest pools have some water in them. I wander down to the largest pool to get a closer look. Around the pool, I notice some interesting plants – marsh fern, swamp oak, sassafras, winterberry and dogwood.

Vernal Pool at Lincoln Woods - WET (small)

As I’m about to depart, a movement along the opposite shore catches my eye, and I focus my binoculars on two blackpoll warblers that have come to bath in the pool.

Blackpoll Warblers in Vernal Pool sketch - at 72 dpi

Sketchbook study of young blackpoll warblers, pencil, 5″ x 9″

The bright olive hue of the birds makes an unexpected contrast with the somber colors of the shoreline, and the bird’s reflections seem to glow on the dark waters. Within minutes the birds have moved on, and the pool is once again quiet and still. I make some quick sketches to fix the scene in my mind, and take some digital photos of the shoreline shapes and colors.  I use these references to help me work up this studio watercolor the next day.

Blackpoll Warbler Bathing in Vernal Pool - at 72 dpi

Blackpoll Warbler Bathing in Vernal Pool, watercolor on Arches rough, 10″ x 14.25″

Illustrated Lecture with Artist Barry Van Dusen on 10/24

Shoreline-at-Long-Pasture-2-at-72-dpi

Barry Van Dusen’s Shoreline at Long Pasture

On Saturday, October 24th at 3pm at the Museum of American Bird Art in Canton, Barry Van Dusen will give an illustrated lecture on his latest and most ambitious Artist-in-Residency project yet: during a 22-month period, Barry will visit at least 45 Mass Audubon Wildlife Sanctuaries, producing drawings and paintings at each location.

Barry is currently about halfway through the project, having visited 23 properties and produced over 50 watercolors, traveling more than 1,000 miles around the state from the foothills of the Berkshires to the Upper Cape.

In this one-hour illustrated talk, Barry will share stories and paintings from his previous residencies, and describe his Artist-in-Residency project at Mass Audubon.

You’ll hear about his adventures exploring Mass Audubon properties all around the state, and learn more about the approach Barry uses to meet the demands and challenges of working on location.  A selection of the original watercolors he has produced for the project will be on temporary display.  Learn more about the lecture

Barry has a long association with Mass Audubon as an illustrator for our publications for nearly 30 years.  Beyond his remarkable illustration work, he has established himself as an internationally recognized fine artist focusing on the natural world and most often birds.

Barry brings this rich experience to the task of capturing compelling natural history moments at Mass Audubon’s treasured sanctuaries.  Fellow artist James Coe says, “Barry Van Dusen’s paintings are among the most original works being created today. Every perfect
gesture; each lively glint in a bird’s eye is there because Barry observed that in nature.”

Learn more