Tag Archives: Drawing

Blue Skies of Autumn, Part 2

This is from a series of posts by MABA resident artist Barry Van Dusen

Broadmoor Wildlife Sanctuary, Natick on October 15, 2015

After finishing my landscape painting (see Blue Skies of Autumn, part 1), I pack up and head further down the trail. Yellow-rumped warblers are moving thru the Old Orchard in good numbers, and I fill a page with them in my sketchbook. Though they are often the most common warbler in Spring and Fall migration, I never get tired of watching and drawing these birds!

Yellow-rump Studies, Broadmoor - at 72 dpi

Yellow-rump Studies, sketchbook page, 9″ x 12″

Palm warblers are moving through also, in slightly smaller numbers. They have a special fondness for ripe goldenrod, and I find more than a half dozen of them foraging in the unmowed field near South Street. I get good, close looks at these birds with my scope, and have a chance to study the variations in plumage.

Palm Warbler studies, Broadmoor - at 72 dpi

Palm Warbler studies, sketchbook page, 9″ x 12″

Most birds have rich mustard-yellow overtones, but a few are quite plain and gray, and some are bright below but dull above. All of them, however, dip their tails nervously, and when flushed, flash bright white spots in the outer tail feathers.

Palm Warbler in Goldenrod - at 72 dpi

Palm Warbler in Goldenrod, watercolor on Arches rough, 10.25″ x 14.25″

I get so involved with the palm warblers that I lose track of time. I had hoped to get out to see the Charles River on the Charles River Loop Trail, but I get only halfway there before I realize I’m seriously running out of light, and decide I don’t want to find myself on an unfamiliar trail in the dark.

Fall Reflections at Broadmoor - at 72 dpi
On the way back across the marsh boardwalk, the autumn colors, made even more intense by the setting sun, are reflected in the water and make a nice contrast with the cool blue-green of the lily pads. So much to paint, so little time…
That evening, I enjoy a fine presentation at Broadmoor by Nils Navarro, who has recently written and illustrated a handsome book on Cuban birds. It’s always a treat to meet and share thoughts with a fellow bird painter!

A Nest of Possibilities

This is from a series of posts by MABA resident artist Barry Van Dusen

Ashumet Holly Wildlife Sanctuary, Falmouth  on May 26, 2015 (part 1)

Drawing birds, as opposed to “birding” or photographing them, entails observing and studying individual birds for relatively long periods of time. Perhaps because of this, I often find bird nests during my fieldwork. I’ll notice that a bird I’m observing is hanging around one particular spot, or I’ll see a bird carrying nest material – both clues that a nest is close-by. Today, at Ashumet Holly Wildlife Sanctuary, I found the nests of a yellow warbler, a northern oriole and an orchard oriole!

Yellow Warbler studies, Ashumet - at 72 dpi

sketchbook page, 9″ x 12″

The nest of the yellow warbler is well hidden in a honeysuckle vine growing up a locust tree. The nest is about 25 feet up, and I can focus on it with my telescope by backing up along the trail.

Yellow Warbler and Nest, Ashumet - at 72 dpi

Yellow Warbler at Nest, watercolor on Fabriano soft-press, 9″ x11″

The female is never far away, and returns frequently but I never see her actually enter the nest. She may not have eggs yet, or may not want to enter the nest with me nearby. I draw as quickly as possible, and then move away.