Tag Archives: Gallery

Around the Museum

September  1, 2016

Museum of American Bird Art, Canton


The Museum of American Bird Art in Canton is the sponsoring sanctuary for this residency, and I’ve been looking forward to spending some time exploring the property.  I’ve visited MABA many times to take in exhibitions or present workshops and lectures, but I’ve never explored the trails!

It’s raining when I arrive at the Museum – which is notable, since less than 4” of rain has fallen throughout ALL of this hot, dry summer.  Massachusetts is experiencing a drought of historic proportions.  So, I don’t mind the rain as I start down the Main Loop Trail behind the Gallery.  The moisture has intensified the color of the pine needles carpeting the forest floor in the Pine Grove, and I pause to take in the scene.


The Pequit Brook Trail leads through the center of the reserve, providing the shortest route to the brook.  I’m hoping to find some cardinal flowers still in bloom along the brook – which is classic cardinal flower habitat.  I’m afraid I might be too late, but with some searching I locate one small plant topped with a single blossom.   Encouraged, I make my way up the brook, hopping from rock to rock and pushing past the heavy growth along the banks.  Upstream, I find several tall, mature flower spikes heavy with bloom, and other spikes that have nearly done flowering, with just a few buds remaining at the tip.  The rain has let up, so I take out my sketchbook and make some pencil drawings. To get the right viewpoint, I need to squat or kneel on the rocks as I draw, and the discomfort of these precarious drawing positions urges me to draw faster!


Sketchbook studies of Cardinal Flowers, pencil, 9″ x 12″

Later, in my studio, I use these pencil drawings to develop a finished watercolor.   You’ll see how I’ve re-arranged the pencil studies for a better composition, and used a background wash to tie the individual studies together.  I’ve also transcribed some of the written notes to the painting – they supply another layer of information that adds to the understanding and appreciation of this gorgeous native wildflower.


Cardinal Flowers at Pequit Brook, watercolor on Arches hot-press, 11.5″ x 13.5″

Bird activity is best in the meadow below the Gallery building, so I linger here on my return.  A young phoebe hunts from a high, open perch at the edge of the meadow.


Sketchbook study of a young phoebe, pencil, 6″ x 6″

The vantage point, looking upwards at the bird, shows the BROAD base of the bill – which is not so evident in a straight side-view.  Catbirds, robins, and cardinals dodge from shrub to shrub searching for berries, while nuthatches, chickadees and a red-bellied woodpecker work over a big, dead snag.



Though it’s been an exceptionally dry summer, the ripeness of autumn is everywhere in evidence.   Heavy fronds of goldenrod and curly dock rise above the ripe grasses, and bright, arching spires of pokeweed lend some notes of bright color.

In the grape arbor, the fruits are turning from lime green to pink to deep ultramarine blue…


Sketchbook studies at the Grape Arbor, pencil and watercolor, 8.5″ x 10″

I walk slowly around the Gallery building, looking for the best angle on this handsome structure, and finally settle in a spot near the bird blind and bird feeders.  It’s not a view of the Gallery that most visitors see, but I like the way the two graceful chimneys bracket the building, and the tudor-style articulation on the south- facing gable makes a good focal point.  I make a careful pencil drawing, paying extra attention to the angles and proportions.


The pencil drawing, made on location

My father was a good draughtsman, and taught my brothers and I to draw in perspective at a young age, so drawing in perspective is fairly natural to me.  Still, I need to observe closely and draw slowly to capture the unique character of the structure.   As I’m finishing the drawing, the rain starts up again, and I’m forced to put the drawing away…

You’ll notice that there are no BIRDS in the picture.  Instead, I’ve made an oblique reference to them by including the bird feeder in the foreground.  There are lots of wonderful birds, of course, INSIDE the building!


The Museum of American Bird Art, watercolor on Arches cold-press, 10.25″ x 14.25″

The Exhibition Gallery was built in 1938 as a studio where the previous owner, Mildred Morse Allen, could practice her art.   The building was extensively renovated and updated after Mass Audubon acquired the property in 1992.  The lower level was converted to a conservators office and a fire-proof, climate controlled storage vault.   The south gable you see here encloses a small exhibition space, while the spacious main gallery occupies the bulk of the upper level.  If you haven’t visited the Museum, and perused one of its beautifully presented exhibitions, you’re in for a treat!



Larry Barth Exhibition at the Museum of American Bird Art: September 19 to January 18

“Of all the exquisite designs I see in nature, I am most powerfully drawn to the shapes, colors, and patterns of birds. I simply marvel at their perfection. I will see something in the field that stirs my blood so deeply that I cannot help but respond artistically in an effort to better and more fully
understand what I have seen. I want to hold onto that image as long as I can and somehow make it mine. Art is my way of taking possession of the beauty I see in the natural world. While I have always used art to further the relationship I enjoy with birds, I’ve come to realize that birds have been my means of exploring art, and art, in and of itself, is just as important to me as birds. Each has enhanced my understanding of the other and in my work the two become one.” – LARRY BARTH
Larry Barth by Linda Barth

Larry Barth is widely recognized as the preeminent living sculptor of birds—the consequence
of his extraordinary sense of design, keen eye for ornithological detail, and remarkable
technical skills. This exhibition, Birds, Art & Design, was organized in conjunction
with Barth’s much-anticipated new book of the same title. It presents a comprehensive gathering of his recent work, on loan from collectors and museums across North America.
A lifelong fascination with birds led him from his sketchpad and paints to his father’s workshop
where, at age fourteen, he carved his first bird. After high school he enrolled at Carnegie
Mellon University where he developed his own curriculum, studying birds and art. He graduated with honors in 1979 with a degree in Fine Arts in the field of design.

Since then he has been carving full time. He has been a consistent
winner at the Ward World Championship Wildfowl Carving Competition, where he has won an unprecedented sixteen world championships in the decorative lifesize division.
His work has been included in the prestigious Leigh Yawkey Woodson Art Museum’s Birds in Art exhibition every year since 1980. In recognition of his artistry, Barth was awarded the Master Wildlife Artist medallion from the Woodson in 1991. He has exhibited at the Academy of Natural
Sciences in Philadelphia, the Smithsonian Institution’s National Museum of Natural History, the National Geographic Society’s Explorer’s Hall, and the American Museum of Natural
History in New York City. The Museum of American Bird Art at Mass Audubon (then known as the Mass Audubon Visual Arts Center) presented his first solo exhibition in 2003.
Barth has taught and lectured widely throughout the United States, but spends most of his
time close to his home and studio near Stahlstown, Pennsylvania.

Barth Tropicbird sm

Red-billed tropicbird – Larry Barth

This exhibition is a cooperative effort between the Museum of American Bird Art at Mass Audubon and the Ward Museum of Wildfowl Art, who gratefully acknowledge the generous assistance of Kirk and Nellie Williams and Stackpole Books.